[清空]播放记录
[清空]播放记录
热门搜索：荣耀六十年1938完整版免费观看、荣耀六十年1938高清在线观看、荣耀六十年1938免费在线观看
娘子军终结者：创世纪 Terminator Genisys魔鬼刺客(原声版)怪物来袭古惑仔之火拼街头恶男电影万岁爱情无线牵（粤语版）肥佬教授2熟女杀人事件青春如期2：青春梦想原谅我，又一次撒了谎最普通的恋爱九数罗曼史舞力对决遗弃之地裹尸布两公婆八条心邻人X可疑的她疯狂的麦克斯3破镜谋杀案黑暗中的王子勇敢之人黑色安息日杀戮场手镯空间：医妃天降引太子破戒父亲归来第一部穿越黑暗拥抱你少林球神荆棘天堂
更新时间：2024-04-17 17:08:51
主演：Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla
1938年上映，Herbert Wilcox 执导，由Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla 等主演的荣耀六十年1938在英国发行，豆瓣评分和口碑都很不错，荣耀六十年1938手机在线观看等资源均是网络收集而来。《荣耀六十年1938》HD1280/HD1080p/BD720P/BD1080P/百度云蓝光高清版/在线观看。
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor