[清空]播放记录
[清空]播放记录
热门搜索：拉莉萨完整版免费观看、拉莉萨高清在线观看、拉莉萨免费在线观看
铁胆雄风藏海花之雪夜凶灯白雪公主与七武士100蛤蟆神功泳池快乐婚礼当你拯救完世界福星急转弯瓦夏的故事大电影成人生活技能仙女下凡国语尘世女孩就是溜溜的她加百列的地狱3车王亲爱的，我把孩子放大了返回从前的漫长旅程阿特拉斯耸耸肩星际迷航3：超越星辰死亡低语2019狂犬病 Rabid恶灵困扰通灵姐妹纽约杀人狂蛇女浮香(青鳞烟雨戏平生)梦想成真后他主动自首青云与栀（栀与青云）他藏了月光众鬼警戒玄学小祖宗下山寻夫啦
更新时间：2025-07-06 22:44:36
导演：依莱姆·克里莫夫
主演：依莱姆·克里莫夫 Valentin Rasputin Stefaniya Stanyuta
1980年上映，依莱姆·克里莫夫 执导，由依莱姆·克里莫夫 Valentin Rasputin Stefaniya Stanyuta 等主演的拉莉萨在其它发行，豆瓣评分和口碑都很不错，拉莉萨手机在线观看等资源均是网络收集而来。《拉莉萨》HD1280/HD1080p/BD720P/BD1080P/百度云蓝光高清版/在线观看。
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.